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Konica Minolta Maxxum 7D
Drawing on the tradition of technical expertise that gave birth to the Maxxum 7000, the Konica Minolta Maxxum 7D represents a culmination of the optical and photo-imaging expertise of two of the most
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Konica Revio KD-500Z Digital Camera
A solid fast-shooter that captures high-quality images, the Konica Digital Revio KD-500Z is certain to appeal to anyone who wants big-picture capability in a small package. It's the smallest and slimmest of the 5-megapixel cameras we tested.
When you slide open the lens cover on the KD-500Z, you're greeted by flashing aquamarine LEDs and musical chords. But the KD-500Z offers few features, so don't look for manual exposure settings or selectable ISO equivalencies. The only changeable parameters are four white-balance presets. And the optical viewfinder does not have a focusable diopter
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Minolta Dimage 7
The silver-and-gray, metal-and-plastic DiMage 7 handles like a fine 35-mm SLR. You can select from among several resolutions, three compression levels, and uncompressed TIFF or RAW files for better images. It can also capture short video clips, without audio.
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Minolta DiMage 7Hi
Drawing on the tradition of technical expertise that gave birth to the Maxxum 7000, the Konica Minolta Maxxum 7D represents a culmination of the optical and photo-imaging expertise of two of the most
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Minolta DiMage E201
The E201 does not have an optical zoom lens or priority settings for manual, aperture, or shutter. But the camera is equipped with an excellent auto-focus aspherical lens designed for ultra-clear photos. The E201 features eight different resolution and compression combinations for optimal image quality, and images can be saved as uncompressed TIFF files.
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Minolta DiMage F300
This camera can be operated easily with one hand, since it's the only camera in our roundup with a sculpted nonslip grip on the back. The buttons are small and easy to press, but some are poorly marked with unfamiliar icons. A large, easy-to-set select dial surrounds the shutter button. Unlike most compacts, the F300 has a control panel on top that obviates using the power-hungry LCD to show the camera's status. That's good, because the F300 is powered by only two double-A batteries, which are easily accessible from the side
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Minolta DiMage S404
The S404 is a large, chunky-looking camera with an unusual shape. A large handgrip on the right-hand side of the camera contains compartments for the battery and CompactFlash card, and a small rubber pad on the front of the grip makes the camera easy to hold despite the slippery silver finish. The thinner left side contains the lens and the LCD screen. Despite the aluminum and plastic shell, the S404 weighs in at a hefty 15.7 ounces.
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Minolta DiMage X
The DiMage X is larger and thicker than the Casio Exilim (but still small and light enough to fit in your shirt pocket), but it offers twice the pixels, a 3X zoom lens, and better picture quality for about the same price. The secret to the DiMage X's thin profile is that the lens and image sensor are actually mounted sideways inside the camera; they peek out at the world through a mirror. This arrangement makes for a very slender camera, but it also introduces additional components into the optical path. As a result, pictures from the DiMage X weren't quite as sharp as the other 2-megapixel cameras we tested. We also noticed a slight darkening on the corners of images, especially at wide-angle setting.
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Minolta DiMage Xt Biz
The DiMage Xt Biz ($400 street) is an enhanced version of Minolta's third-generation X-series digital camera. There are welcome refinements and improvements to the clever ultracompact design, but what distinguishes the Xt Biz is its firmware and business-oriented software
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