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Konica Minolta DiMage A1
The A1 has several features that make it a pleasure to use, including automatic switching between the LCD and electronic viewfinder, a real-time histogram, and an optional grid overlay that helps avoid tilted pictures. The 28- to 200-mm lens (35-mm equivalent) is one of the best we've seen on a prosumer camera, and Minolta's innovative Anti-Shake technology compensates for camera movement by moving the image sensor.
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Konica Minolta DiMage A2
The Konica Minolta DiMage A2 offers exceptional features and handling characteristics. Though it can't quite match the Olympus Camedia C-8080 Wide Zoom's image quality or width of lens at widest angle, it outzooms the Olympus and trumps it with antishake technology.
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Konica Minolta DiMage G400
The Konica Minolta DiMage G400 is a well-built, neat-looking, fast-shooting camera with the ability to save to either Memory Stick or Secure Digital format, but it stops short of advanced features. With a crescent-shaped shutter that both protects the lens and turns the camera on, the G400 offers manual, aperture, and shutter priority, as well as six program modes and audio recording and annotation. But it lacks a histogram, bracketing, and adjustments for sharpness and flash intensity.
The T-shaped cluster of buttons is designed more for style than convenience. And you may be confused about which functions are accessed by the Mode and Menu buttons. The menus use unfamiliar icons but are accompanied by identifying words.
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Konica Minolta DiMage G600
The Konica Minolta DiMAGE G600 follows on the heels of the DiMAGE G500, announced in late 2003, and is one of the more compact cameras in the DiMAGE line (though not as tiny as members of the diminutive X series). More or less identical to the earlier G500 apart from its higher resolution and faster autofocus response, the DiMAGE G600 offers 6.0 megapixels, a 3x optical zoom lens, and a very compact, all-metal body with a fully retracting lens, perfect for travel. The availability of either automatic or full manual exposure control ought to please users with a range of experience levels, and the flexibility of image color, sharpness, and a range of exposure adjustments will satisfy the needs of more experienced users.
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Konica Minolta DiMage X31
The Konica Minolta DiMage X31 is a good 3.2-megapixel ultracompact camera geared to the novice shooter. If you're looking for razor-sharp images, this isn't the camera for you; nor is it particularly fast. Still, it's a good camera and far cheaper than most ultracompacts, including our Editors' Choice, the $500 (street) 5MP Sony Cyber-shot DSC-T1.
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Konica Minolta DiMage X50
The 5-megapixel Konica Minolta DiMage X50 isn't the sexiest-looking camera out there, and it doesn't offer tons of scene modes or manual controls. But with its smart design, adequate feature set, and good image quality, the X50 should satisfy most casual shooters looking for an ultracompact camera to take to parties or on vacations.
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Konica Minolta DiMage Z2
The DiMAGE Z5's 12x optical zoom lens and 4x digital zoom combine for a total 48x zoom. Konica Minolta's proprietary CCD-shift Anti-Shake System--the same one used on the top-of-the-line Maxxum 7D.
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Konica Minolta DiMage Z20
The DiMAGE Z5's 12x optical zoom lens and 4x digital zoom combine for a total 48x zoom. Konica Minolta's proprietary CCD-shift Anti-Shake System--the same one used on the top-of-the-line Maxxum 7D
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Konica Minolta DiMage Z3
The DiMAGE Z5's 12x optical zoom lens and 4x digital zoom combine for a total 48x zoom. Konica Minolta's proprietary CCD-shift Anti-Shake System--the same one used on the top-of-the-line Maxxum 7D
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Konica Minolta DiMage Z5
The DiMAGE Z5's 12x optical zoom lens and 4x digital zoom combine for a total 48x zoom. Konica Minolta's proprietary CCD-shift Anti-Shake System--the same one used on the top-of-the-line Maxxum 7D
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